本片从经济视角解读秦汉帝国的兴衰历史。“以军功授名爵”的国家授田制度，使秦军犹如虎狼之师一统天下，汉帝国将土地按“名爵”大小赠与个人，国力渐至巅峰。但带来强盛的制度为何却不能挽救帝国的灭亡？本片带着最新的经济学理论和近百年来的考古学发现，以大量真人演绎与三维动画结合，气势如虹地展现了秦汉帝国的历史风云。 　　本片共5集，分集简介： 　　[1]家与国 　　西汉帝国建立之初，一场消灭诸侯割据力量的密谋正在汉高祖的皇宫酝酿。八位诸侯王中，韩信拥有反汉的实力，于是他成了第一个被攻击的目标…… 　　[2]分与合 　　在淮阴王韩信和梁王彭越被杀后不久，淮南王英布的诸侯国也覆灭了。可是在十一年的征伐后，刘邦并没有效仿秦始皇的去封设郡制，而是让分封制与郡县制并存，可是实力日益强大的诸侯国让中央十分不安…… 　　[3]战与和 　　汉惠帝元年，皇太后吕雉在面对匈奴单于寄来的一封语气轻佻的国书时，选择了忍气吞声，委屈求和。但在75年后的武帝时期，汉朝凭借它强大的国力征服了匈奴，这种转变的原因是什么呢？ 　　[4]道与德 　　汉武帝中期，富人阶层产生了，国家利益集团和新兴的私营工业者因为财富分配问题产生了巨大的矛盾，于是武帝采取了抑商政策，这埋下了帝国由鼎盛走向衰败的伏笔…… 　　[5]趋势与哀歌 　　西汉帝国经历了建立官僚体系治理国家和官僚掠夺国家财富的矛盾，土地私有发展经济和造成两极分化的矛盾，土地国有平均财富和违背人逐利天性的矛盾。这就是以小农经济为主体的中华帝国的悖论。

在广漠的太空，生活着这么一群圆球状的小精灵，繁殖速度异常惊人，展示出非凡的智力水平，它们所到之处寸草不生。 　　该短片创作的灵感来自于我们生活居住的星球，在这个特殊的年代，我们到底是去探索宇宙、保护环境，提升我们的生活品质，还是去毁掉这个肮脏的星球呢？ 诚然，我们拥有自己的文化、科技和艺术，但是，从全球客观的视角来说，俯瞰我们所创造的一切，又给我们留下了什么呢？

An ecology of signs lurking amid seductive 16mm travel footage echoes with post-colonial reverberations in Ana Vaz's deceptively corrosive, award-winning Occidente

Remarkable new series ‘Rise And Fall Of The Japanese Empire' explores Japan's ambitious but destructive attempts to lead the whole of Asia out from the shadow of European and American dominance. Recounting the events of the most significant global conflict in the history of mankind and its equally dramatic aftermath, this two-part special investigates new and challenging insights into a battle that shaped the Asia-Pacific region. From the expansion its sphere of influence in 1895, with the installation of a puppet government in Korea, to the destruction of Pearl Harbour, discover how Japan's burgeoning power in Asia soon brought it into direct conflict with the West culminating in the atomic bomb attacks on Hiroshima and Nagasaki. Focusing on the traumas suffered by the Korean, Chinese, South East Asian and Japanese people as they lived through four decades of bloody conflict, this compelling documentary tells the dramatic story of a proud and ambitious warrior nation, which ultimately paid a terrible price for its audacity.

A feature length documentary tracing the early history of iconic Manchester record label Factory Records between 1978 & 1981. 　　The Facts and fictions are explored through candid interviews with 22 key participants, including Anthony H. Wilson (founder) and Peter Saville (designer), as well as musicians including Peter Hook (Joy Division / New Order), Vini Reilly (The Durutti Column), Simon Topping and Martin Moscrop (A Certain Ratio), Chris Watson (Cabaret Voltaire) and Howard Devoto (Buzzcocks/Magazine). 　　Other interviews include members of Section 25, Crispy Ambulance, The Names, Minny Pops, Swamp Children and Thick Pigeon, as well as other eyewitnesses and insiders such as Richard Boon, Annik Honoré, Lindsay Reade, Richard Jobson, Graham Massey and Killing Joke. 　　The film runs for 2 hours 15 minutes and is divided into 19 chapters, covering subjects such as The Factory Club, sleeve art and graphic design, genius producer Martin Hannett, the riot at the Joy Division concert at Bury in April 1980, the Factory Benelux connection, the tragic suicide of Joy Division singer Ian Curtis, the beginnings of New Order, and the decline of the post-punk culture in 1981. 　　Shadowplayers is based exclusively on new spoken word interviews, with soundtrack music by Section 25 and New Order, and rare images and graphics. The cover art is based on the first Factory design (FAC 1) by Peter Saville from 1978. 　　The DVD is NTSC format. DVD extras include individual profiles for each interviewee. 　　01 USE HEARING PROTECTION - The Factory Club, opened May 1978 　　02 A FACTORY SAMPLE - January 1979, Durutti Column, Cabaret Voltaire, John Dowie and Joy Division 　　03 FACTORY FOREMEN - Five heterosexual directors 　　04 UNKNOWN PLEASURES - Joy Division's debut album released in May 1979, produced by Martin Hannett 　　05 ZERO - Martin Hannett, record producer 　　06 SITUATIONIST GROUP - Vini Reilly and The Durutti Column 　　07 THE THIN BOYS - first single by A Certain Ratio, All Night Party, with no drummer 　　08 LARRY AND VINNY - Section 25 are from Blackpool, Lancashire 　　09 GET IN THE VAN - Heads, tales, Cocks and Jokers on the road 　　10 RUE DE MANCHESTER - Joy Division and Cabaret Voltaire play Plan K, Brussels, 16 October 1979 　　11 THE RAINBOW - On 4 April 1980 Joy Division and Section 25 played two London venues 　　12 FACTORY BENELUX - Friends in Belgium (and Holland) 　　13 DISORDER - Bury Derby Hall, 8 April 1980 　　14 IN A LONELY PLACE - 18 May 1980. On the eve of Joy Division's first US tour, Ian Curtis hangs himself 　　15 BENEATH THE PAVEMENT - New Order debut at The Beach Club, Manchester, on 29 July 1980 　　16 OF FACTORY AMERICA - New Order and A Certain Ratio in New York, September 1980 　　17 FUTURISTS - The first New Order album, Movement, released in November 1981 　　18 CHOIR BOYS - Schoolboy lyrics and timbales 　　19 LIKE PUNK NEVER HAPPENED - New pop, old ways

以中华民族五千年朝代兴衰更迭为线索，以“廉则兴，腐致衰”为主题，涵盖历朝历代的初期廉而兴，后期腐而衰的周期性现象，列举阐述几个朝代各自覆灭的具体起因，根本取决于统治者的腐败和失去民心所致从历史的兴衰之道中探寻廉政文化的力量，为盛世鸣警钟，为时代举镜鉴。

We are in East Berlin, 1978. It’s summer, three years after Wassilly’s death. Nelly’s boyfriend and Alexei’s father died in a car accident in Russia. Since he is dead, Nelly wants to leave too. Away from the GDR, to leave the grief and the memories behind. To get a fresh start. That should be possible in the West, or so Nelly believes.

格格巫　　《西方毕竟是西方》（West Is West ）可以看作是《东方就是东方》（East Is East ，1999）的续集，虽然导演换了，但故事依然一脉相承，仍旧是通过生活在英国的巴基斯坦家庭——可汗一家家庭成员的内部矛盾，来反应东西方文化的差异和冲突。上一部的故事发生在1971年，这部的故事发生在1975年，可汗一家从索尔弗徳市搬到了英格兰北部的曼彻斯特，这部的故事主要集中在父亲——60岁的乔治·可汗和最小的儿子——15岁的Sajid身上。Sajid深受父亲的巴基斯坦传统专制和学校混混欺压两重压迫，有成为问题少年的倾向，乔治无奈，决定把他送到生活在巴基斯坦旁遮普的前妻身边，而他抛下前妻已经30多年了……

格格巫　　《西方毕竟是西方》（West Is West ）可以看作是《东方就是东方》（East Is East ，1999）的续集，虽然导演换了，但故事依然一脉相承，仍旧是通过生活在英国的巴基斯坦家庭——可汗一家家庭成员的内部矛盾，来反应东西方文化的差异和冲突。上一部的故事发生在1971年，这部的故事发生在1975年，可汗一家从索尔弗徳市搬到了英格兰北部的曼彻斯特，这部的故事主要集中在父亲——60岁的乔治·可汗和最小的儿子——15岁的Sajid身上。Sajid深受父亲的巴基斯坦传统专制和学校混混欺压两重压迫，有成为问题少年的倾向，乔治无奈，决定把他送到生活在巴基斯坦旁遮普的前妻身边，而他抛下前妻已经30多年了……